UNIVERSITY OF RICHMOND FACULTY SEMINAR 1998 INDIA |
Then we visited the city of Mother Teresa's Missionaries of Charity: Calcutta. It was very interesting to us to discover the "other side" of Calcutta, its place as an active center of intellectual enquiry, where native Calcuttans make an extreme effort to overcome the image of a poverty-striken city as portrayed in several books and movies. The Victoria Memorial is the most solid reminder of British Calcutta. It is a huge white-marble museum that represents a strange combination of classical European architecture with Mughal influences.The foundation stone was laid in 1906 and the building was opened in 1921.
Outside Calcutta we visited a traditional craft village. The villagers maintain an active crafts tradition which serves as an additional source of income. Above: Silkweaving, one of India's finests traditions
Varanasi: The city of Siva. Located on the bank of the sacred Ganges River, it is one of India's holiest places. Varanasi is an auspicious place to die because expiring there ensures inmediate passage to heaven and releases the individual from the cycle of rebirth. Ritual bathing in the Ganges washes away all sins (we surely kept each of our sins, since everyone made an effort not to get in touch with the Ganges' waters, which are well known for their high level of pollution and contamination). The city is famous for its public ghats (steps that lead down to the river). Ritual cremation at the edge of the the river is common practice at several ghats. When you learn to swim do not enter a river that has no ocean to flow into, one ignorant of destinations and only knowing the flowing as its destiny, like the weary rivers of the blood that bear the scum of ancient memories, but go swim in the sea, go swim in the great blue sea. Kamala Das, 1974
in this desert of human lives. A sail is hoisted, the color of musk-melon, the color of daggered flesh. Beggars hoist their deformities as boatmen hoist their sails. The Ganga flows through the land, not to lighten the misery but to show it. Keki N. Daruwalla, 1976 |
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Last modified August 1998.
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